Tag Archives: Literature

Look, I didn’t want to be obsessed with Rick Riordan

“Look, I didn’t want to be a half-blood.”

I will never forget the opening line to my favorite book, The Lightning Thief by Rick Riordan.

The story is about Percy Jackson, a twelve-year-old demigod boy fighting monsters and trying to outlive ominous prophecies. Riordan gives a sassy and witty voice to Percy in this opening line that keeps the reader hooked for the rest of the story.

Riordan answers the question: What would happen if the Greek gods and goddess were alive in the 21st century?

Of course they would be up to their usual mischief: having affairs with mortals, fighting with each other, and forcing young demigods to do their bidding. The Lightning Thief gives the reader a modern take on an ancient mythology. Riordan sprinkles breadcrumbs of information that lead readers to discover for themselves more about Greek mythology. Riordan even goes so far as to further educate children on Greek mythology through Percy Jackson’s Greek Heroes and Percy Jackson’s Greek Gods, both companion books narrated by Percy Jackson himself.

I was so hooked by that opening line that, as a twenty-year-old junior in college, I still look forward to reading the newest Rick Riordan novel. I grew up reading his books, and at this point, I am too committed to the story and emotionally invested in the characters to stop. Though I will admit, I am a few books behind. Being a poor college student definitely has its disadvantages. I know when I pick up where I left off, I will not be disappointed with what I find.

Look, I didn’t want to become obsessed with the writings of Rick Riordan, okay?

That opening line just had me hooked.

 

You can learn more about Rick Riordan here at his official site. The Lightning Thief is the first book in the five-book series, Percy Jackson and the Olympians, available on Amazon.

by Sarah De Kok

 

 

Pulitzer Prize Winner Geraldine Brooks Captures Acceptance and the Hamartia of Humanity

A few years ago, I read a book for an English class I was taking. When I first picked up
the book, I did not think it was going to be something that I would be interested in. Looking back, I can’t believe I ever had that thought. People of the Book by Geraldine Brooks became my favorite novel – and I have read a lot of books! This story has so much depth to it and the themes are still extremely relevant.

Throughout history, people have suffered hateful intolerance. Whether this be caused by
religion, skin color, or gender, it has been revealed that during times of hate some people can come together to accept and support each other while others turn on one another. This is shown in the many stories depicted in Brooks’s realistic fiction novel. The tales in the novel illustrate the impact that a single individual can have on history as a whole.
While there may be violent intolerance, People of the Book incomparably represents interfaith acceptance and humanity’s unwillingness to live and let live.

By portraying different cultures, Brooks displays examples of both multi-ethnic and
interfaith acceptance in her novel and the reader gains a sense of the societal standards at that time the stories take place. This allows the audience to better understand just how brave the accepting the characters were. Hanna Heath, the main character, says it best when she states, “Then somehow this fear, this hate, this need to demonize ‘the other’ —it just sort of rears up and smashes the whole society” (Brooks 195). The Inquisition, Nazis, and extreme Serb nationalists all played a role in creating the hateful intolerance that is present in the novel by bringing about fear through violence toward helpless people.

History has a tendency to repeat itself and People of the Book represents this beautifully.
By showing the repetition of anti-Semitism and hateful intolerance, Brooks represents the beauty in the brave few who persevere through the fear. People of the Book brings to life the history of the Sarajevo Haggadah while teaching valuable lessons of respect and forgiveness. All the while showing the hamartia of humanity —the unwillingness to live and let live.

If you’re still skeptical, give it a chance! It may turn out to be your new favorite novel, too.

People of the Book can be found on Amazon.

If you have any novels that you unexpectedly fell in love with please share with us so we can love them too! Happy reading!

by Allison DeHaas

Why HBO’s Adaptation of “Watchmen” is an Attempt at Adapting the Unadaptable

There’s a reason Watchmen made Time Magazine’s list of the 100 greatest novels of all time. Without a doubt, fans of Alan Moore’s 1986 classic and comic book purists alike will likely despise HBO’s upcoming television adaptation of the famous, graphic novel, whether or not the work holds merit or receives critical acclaim as a TV show.

Simply, Alan Moore taught a generation of comic book authors and fans that the combination of sequential art and dialogue, the comic book, is a unique artform. Since its release, Watchmen has been dubbed the “unadaptable graphic novel.” Watchmen was designed to demonstrate the unique qualities of comic books, and demonstrates these elements in a way that is not just difficult, but impossible to be replicated in any other medium.

For instance, every page of Watchmen is structured on a nine-panel grid layout. This gives each page a central focus, the middle panel, and emphasizes key plot points or artistic renderings in the narrative flow. Issue five of the series, “Fearful Symmetry,” mirrors each page’s panels until converging in the center, which displays a character foiling his attempted assassination. Not a single page of the first 11 issues is a “splash page,” where a single panel makes up the entire page. Instead, the final issue opens with six absolutely breathtaking, haunting, splash pages depicting the destruction of Manhattan.

The emotional impact of these and many other moments is not possible to replicated in other media because Watchmen is not so much about the story being told, but how the story is being told. As Alan Moore said, “If we only see comics in relation to movies, then the best they’ll ever be are films that don’t move.”

I wish HBO the best on the Herculean task they have undertaken. Watchmen is not only the greatest comic book I have ever read, but is one of the greatest works of literature I have encountered. To keep with the original’s artistic integrity, HBO’s Watchmen should utilize the unique elements of television as a medium. Hopefully, the show can succeed on its own merits, if only it allows for more people to experience Moore’s masterpiece.

Creator Damon Lindelof and HBO are set to debut the series in 2019.

by Evan Davis

Submissions Closing October 1!

Just a reminder to all undergraduate students, our submission period for Issue 21 will be closing October 1, 2018.

We accept poetry, fiction, and creative nonfiction from all students currently enrolled in an undergraduate program. Our goal is to find good, highly imaginative writing about contemporary life as you see it!

We do not accept previously published work, but we do accept simultaneous submissions. We also pay twenty-five dollars upon publication.

Get your submissions in to The Blue Route before it’s too late!

For more information, please check out our submission guidelines.

Our Submission Period Is Open!

Starting August 1, 2018 The Blue Route will be reading submissions for Issue #21! If you are a current undergraduate student, you are eligible to submit prose (1-3 pieces of fiction or creative nonfiction totaling no more than 3000 words) or poetry (up to 3 poems).

We want good, highly imaginative writing about contemporary life as you see it!

We do not accept previously published work, but we do accept simultaneous submissions. However, please notify us immediately if your work is accepted elsewhereOur response time is about three months.

For more information, check out our submission guidelines.

If you’d like some general advice on submitting work, click here!

58 Years of ‘To Kill a Mockingbird’

Today marks 58 years since the publication of Harper Lee’s 1960 novel To Kill a Mockingbird.

58 years since the world was introduced to Scout, Jem, and Atticus Finch. 58 years since we walked through the streets of Maycomb, Alabama for the first time. 58 years since we learned “You never really know a person until you consider things from his point of view…until you climb into his skin and walk around in it.”

To Kill a Mockingbird, a “magnificent, powerful novel of the people of a quiet southern town—rocked by a crisis of conscience,” has maintained incredible relevancy in its 58 years, touching the hearts and minds of its audience.

Gregory Peck’s portrayal of Atticus Finch in the 1962 film adaptation landed Atticus Finch as #1 on the American Film Institue’s “100 Greatest Heroes & Villians” list, recognizing characters that “have a made a mark on American society in matters of style and substance” as well as continue “to inspire contemporary artists and audiences.”

In 2015, Harper Lee released Go Set a Watchman, a novel set after the events of To Kill a Mockingbird in which Scout returns to Maycomb, Alabama. Aompanion to the American classic, Go Set a Watchman adds “depth, contex, and new meaning” to the story we’ve grown to love.

In April, the Monroe County Heritage Museum hosted its production of To Kill a Mockingbird for the twenty-ninth year. The museum, located in Lee’s hometown of Monroeville, Alabama, held its first play of the timeless novel in 1991 as a fundraiser. Since then, the play has attracted a wide audience, captivating students, community members, and even travelers eager for the experience.

On December 13, New York will see opening night of Aaron Sorkin’s Broadway adaptation of To Kill a Mockingbird starring Jeff Daniels as Atticus Finch.

For whatever reason, this book, this story, and Harper Lee as an author has resonated with me throughout the years. I find myself bringing this book and these themes into projects or conversation whenever possible. Whether it be a comparison of Frankenstein’s monster to Boo Radley a tribute to the late Harper Lee or an analysis of Annette Lemieux’s Mise en Scene exhibition featuring contemporary art pieces from the filming of the 1962 film adaptation of To Kill a Mockingbird such as Spin and Area of Refuge, To Kill a Mockingbird has played a critical role in my academic career and personal self.

Two years ago, I spent a great deal of time sifting through my grandfather’s book collection as he prepared to move. Among the collection of classic titles was a tiny, paperback copy of To Kill a Mockingbird, a title I’ve been longing to add to my own collection since reading the novel as a sophomore in high school. My copy is slightly tattered with yellowing pages and that old book smell, but I wouldn’t have it any other way.

Written by Carlie Sisco

 

 

Catherine Zobal Dent Offers Writing Advice To Students At Widener University

Author Catherine Zobal Dent visited Widener on April 3 and 4 as a part of the English and Creative Writing Department’s Distinguished Writers Series.

In May 2014, Dent published her debut collection of short stories with Fomite Press, called Unfinished Stories for Girls. The collection includes sixteen stories. Taking place on Maryland’s Eastern Shore, the short stories invite readers inside the lives of characters trying to figure out the problems and challenges of the gleaming, marshy world.
On campus, Dent spent time speaking in creative writing and English classes about her collection, as well as offering insight and advice on how to pursue a writing career. She also individually met with several students within the department for tutorials.

“Writers need other writers. That’s just the way it is,” Victoria Giansante, a senior English major said. “We workshop off each other; we get ideas from each other; and we help each other to be the best we can be. Any writer could benefit from closely analyzing their habits and their strengths, especially with guidance from someone with genuine experience and expertise, like Catherine.”

Dent’s latest projects include writing a novel and a nonfiction book about the Appalachian Trail, as well as a translation of the French short story writer Cyrille Fleicshman with her colleague Lynn Palermo. She began publishing her stories during graduate school and her work has gone on to appear in such publications as Drunken Boat, the Harvard Review, North American Review, Echolocation, PANK and elsewhere.

Currently, Dent is an associate professor of creative writing at Susquehanna University, a position she shares with her partner and fellow writer, Silas Zobal. She is also the director of the Forum for Undergraduate Student Editors (FUSE), a national organization that provides a network for undergraduate student editors, writers, and their faculty advisers.

Dent concluded her visit with a public reading surrounded by art made by Ann Piper, which accompany each story in the collection. After the reading, Dent took time to answer questions, sign copies of her book, and speak to students, including Rohan Suriyage, a junior English and communication studies double major whom Dent offered advice on organizing ideas for a short story.

“I was interested in her passion for exploring the relationship between art and literature, specifically how the art her colleague made coincidentally reflected the subject matter of her short stories,” Suriyage said. “She has a good grasp on including real-life aspects into her stories and encapsulating the human experience and its authenticity in the subject matter of said stories.”

Dent also sat down for an interview with The Blue Route during her visit. The full interview will be featured in our 20th issue set to be published in the next couple of weeks! For a preview of the interview, read below!

How do you create characters, voices, and point of views that are different from your own or different from each other?
I do a lot of research. I think as deeply as you can about the way voices sound different from each other and also the types of preoccupations characters might have. You can have a handful of characters who see the exact same object in the material world and, depending on their emotional state, each of them would describe it in a different way. I try to think of where the characters are coming from in a particular moment in time and find a preoccupation that would dominate their voice. In my collection, I have a number of stories that veer into second person where the narrator is addressing you, the reader. I’ve tried different ways of involving the reader in the work, and one of these attempts is to adapt the readers’ perspective and try to convince them that they are actually in the story. In “The Truth You Know,” I have the first-person narrator addressing the reader and saying, “Now you have to tell the end of the story.”

What drives you to write? Has there been a specific instance or a piece of advice that has driven you in your writing career?
When I’m not writing I don’t feel as alive as when I am writing. When I am writing, I am noticing the world in a much more meaningful way. I’m actively constructing meaning around me. Flannery O’Connor said, “I write because I don’t know what I think until I read what I say.” Sometimes, I feel that way. I can go and recreate an experience in a way that makes more sense or is more satisfying to me. That’s one of the jobs of fiction, to try to create meaning out of chaos. That’s one of the jobs of identity, too, to try to stake, for a temporary period of time, a sense of order in the world. I write to create order in my world and hope to communicate a sense of connection, belonging, and order for other people too.

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