Author Archives: carlieelizabeth24

Dr. Kenneth Pobo’s Loplop in a Red City Engages Audience at Widener University

For those who have an appreciation for the arts, it can often be hard to choose just one form, let alone one single work of art to showcase. The world of artist expression is vast and constantly changing. Fortunately, we do not have to choose. We can praise all art and even weave it together as our own, which Widener professor, Dr. Kenneth Pobo demonstrates in his newest book, Loplop in a Red City.

Released on May 15, Loplop in a Red City is a collection of ekphrastic poetry inspired by artworks old and new, figurative to abstract, Vincent Van Gogh to Leonora Carrington to Max Ernst. The poems are agonized and idyllic, uneasily at home in the surreal, animated, beautiful, and complex.

A large group of students, fellow faculty, and more gathered in the Widener University Art Gallery on October 5 to hear Pobo read from this book of ekphrastic poetry. Anybody who has ever heard Pobo read poetry before can agree there was a draw to be in that room and share in the experience.

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Dr. Kenneth Pobo shares his latest ekphrastic poetry at the Widener University Art Gallery

In Dr. Michael Cocchiarale’s introduction, he mentioned that Pobo became interested in poetry through a love of music. How fitting that someone so impacted by writing would also be impacted by music, painting, and any other artform. When one person has such a passion for art, it can become contagious and that is what happened that day at the reading. By the time Pobo got to the poem “Georgia O’Keefe’s Flowers”, his audience was so engrossed that most of us felt we were indeed collapsing into this magnificent flower that he described

I think a good way to sum up the theme of the experience is with Pobo’s response to the question, “What is your favorite painting?” After some thought, he simply said, “I don’t know.” I think for any true artist that is the only answer. Art can affect all different parts of us and for all different reasons. Though we might be driven, for a moment, to appreciate one work of art above others, the nature of art makes it impossible for any one piece to stand alone as the best.

Loplop in a Red City is published by Circling Rivers and is available for purchase on Amazon.

by Nicole Gray

Remembering Grant Hart’s Musical and Literary Legacy

On September 14, musician Grant Hart passed away from liver cancer. The former drummer and singer was a vital part of the punk rock band Hüsker Dü, which helped revolutionize alternative and rock and roll music. Hart left the group in 1989, subsequently creating another band, Nova Mob, before pursuing a solo career.

Hart released his last completed solo album, The Argument, in 2013. The Argument is a concept album based on John Milton’s epic poem Paradise Lost, which depicts the Biblical stories of the rebellion of Satan and the fall of man in twelve books of blank verse. Hart’s take on this iconic epic was inspired by an unfinished stage play called “Lost Paradise” written by Hart’s friend, the late American writer William S. Burroughs. From 2008 to 2013, Hart developed his double LP, The Argument. “From the outset, knowing it was a mighty piece of work made it more challenging,” Hart said in a 2013 interview with Clash Music.

With 20 tracks and 74 minutes of heavy guitar and drum, mixed with electronic riffs, beeps and even xylophone, The Argument breathes new life into Milton’s centuries-old poem. The second track, “Morningstar,” is a favorite of critics. Ryan Bray for Consequence of Sound aptly describes the “essential track” as “flower child ruminations,” while AV Club points out that it “frames Satan as, alternately, a hypnotic Pied Piper of chantlike hooks and a sly, Rudy Vallée-esque crooner.” “Run For the Wilderness” is an especially upbeat, lyrical track, one I could see being performed in a Rent-style Broadway setting. Opening with the literal roar of a motorcycle, and the rapid drumbeat conjuring images of a hurried escape, Hart sings, “We kissed the fruit forbidden / we smelled and tasted it / no difficult conditions / he gave us open wide / we disobeyed now we got to run / for the wilderness / well it’s the only place we can escape to now.”

The first notes of the final song on the album, “For Those Too High Aspiring,” recall the 1998 hit “Closing Time” by Semisonic. Hart’s punk ballad features a sentimental harmonica layered over guitar and prominent drum as his lyrics depict the exile of Adam and Eve from Eden and of Satan from Heaven: “For those too high aspiring / here’s to you / you bit off more than you could chew / now you know / sadly how far you could go.” The last 30 seconds fade off with a high-pitched whirring noise, like a motor slowly failing into empty silence, as the album—which is more of an aesthetic experience than anything—winds down to an end.

Hart’s talent and originality is a loss not only to the music industry, but also to the literature community. His former Hüsker Dü bandmate, Bob Mould, put it best: “Grant Hart was a gifted visual artist, a wonderful story teller, and a frighteningly talented musician. Everyone touched by his spirit will always remember.”

To listen to The Argument click here!

By Jennifer Rohrbach

Image courtest of: The Current (MPR/Nate Ryan)

The National Book Awards Longlists Have Been Announced For 2017

Earlier this week, the National Book Foundation announced the poetry, fiction, nonfiction, and young people’s literature longlists for the 2017 National Book Awards.

Since 1950, the National Book Awards and the National Book Foundation have made it their mission to “celebrate the best of American literature, to expand its audience, and to enhance the cultural value of great writing in America.” As a nonprofit organization, the National Book Foundation hopes to “raise the cultural appreciation of great writing” through these annual awards.

Each year a panel of esteemed judges read hundreds of published submissions before assembling a longlist of ten titles for each category. These longlists are then narrowed down to five finalists before a single winner is chosen.

This year’s longlists feature a variety of writers including Pulitzer Prize-winner Jennifer Egan, 2011 National Book Award-winner Jesmyn Ward, and five-time nominee Frank Bidart as well as numerous first-time longlisted authors and debut collections. Women prove to be a dominate force in the categories of Young People’s Literature and Fiction, while the topics of race and politics set the tone for the nonfiction contenders.

The finalists in each category will be announced on Oct. 4. The winners will be announced following a ceremony in New York on Nov. 15.

If you’re looking for some new reading material, click here and check out the longlists for the 2017 National Book Awards!

Top Destinations for the Perfect Literary Adventure

Looking for something to do this summer?

Check out these awesome literary destinations courtesy of Verily magazine and Flavorwire!

Take a trip to Long Island, New York and feel the inspiration for F. Scott Fitzgerald’s The Great Gatsby or venture to Hartford, Connecticut to visit the Mark Twain House & Museum. The literary adventures are endless!

For destinations in the United States, click here.

For worldwide destinations, click here.

 

It’s Happening Again…Books Every ‘Twin Peaks’ Fan Should Read

After 25 years, Mark Frost and David Lynch’s Twin Peaks returns to television with an 18-part third season. The two-hour premiere debuts on Showtime May, 21 at 9 PM ET/PT. Details on the revival have remained a mystery, but fans can expect to see a great deal of the original cast returning to reprise their roles, including Kyle Maclachlan as Agent Dale Cooper.

If you love Twin Peaks and you’re looking for some new summer reading material, Lincoln Michel has compiled a list of books, both wonderful and strange, that capture the “Twin Peaks feel.”

Check out Michel’s recommendations here!

There are also numerous books dedicated the televisions series itself. If you’d prefer to read within or about the world of Twin Peaks check out this list of official and unofficial releases!

 

 

Issue 18 is live!

Hi everyone! Please check out Issue 18 of our magazine featuring a variety of great pieces!

Thank you to everyone who submitted and contributed.

Enjoy!

 

2017 AWP Conference Reflections

     The Association of Writers and Writing Programs held it’s annual conference and bookfair February 8-11, 2017 in Washington, D.C.. The AWP Conference is an opportunity for writers, teachers, editors, publishers, and everyone within the literary community to gather for four days of insightful discussion. Each year, AWP accumulates over 12,ooo attendees, with over 800 exhibitors and 550 events to explore. Several students from Widener University’s Creative Writing department had the opporunity to attend the 2017 conference. Below are two students’ reflections on their AWP experience:

Evan Kramer
     The 2017 AWP Conference in Washington, D.C. opened my eyes to a literary world that I never realized was so large in the United States. This was my first AWP experience; however, it was not my first writing conference, so I did have high expectations. Planning your panels and routes beforehand is a necessity at AWP because panels are operating around the clock with only fifteen minutes of time in between each one. I made these minor mistakes on the first day, but for the remaining days, I planned accordingly and learned a lot about writing, the future of writing, and all of this information shaped me into a stonger creative writer.
     One of the first panels that I attended was called “Writing in the Internet Age.” As a writer in the twenty first century, I view the Internet as technology that will be present in the world for the remainder of my life. The Internet and digital humanities is changing writing and thinking for all writers and readers, so attending this panel, in my opinion, would provide a lot of insight for me. The Internet is too fast to be studied, said the panelists, and it is a cure for loneliness and boredom, and a way to pull us out of the reality of the world. I learned that the Internet is a convenience for writers because it replaces a trip to the library by functioning as an online encyclopedia, but it can also slow down writing because it is distracting and sometimes addicting. A presence on the Internet is a requirement for writers so that readers and other followers know that you are alive and writing, so that they can develop trust with your work. Absence from the Internet creates suspicion, and for writers, it is critical to maintain an image through interacting online with other people, news topics, or by generating personal opinions.
     In addition to this helpful panel, I attended another one called “The Village of Your Novel,” which talked about how to manipulate the universe that you create as a writer. Writing a setting is important to me, as a creative writer, because I view it as the first step to taking my readers out of reality and into a new world that is worth visiting. I am currently in the process of writing a story in which two separate villages clash together.The panel inspired me to consider the boundaries of the village, the traditions, the internal alliances, and how a stranger entering is the catalyst of change, comedy and drama. The panelists used Jane Austin and the Bronte sisters as example because they create social novels with striking locations, such as Highbury from Emma and the Moors from Wuthering Heights. This panel got my creative juices flowing to produce more work because the panelists provided helpful tips to think about when designing a village for the characters’ events to unfold. The setting always interests me as a writer because it should inspire every reader to want to visit there. No matter how beautiful or deadly the village is, it should shine from behind the characters, their dialogue and the plot.
     The final reading of AWP included Rita Dove, Terrance Hayes, and Ocean Vuong, and it was entertaining to watch these vastly different poets present their work. As a student who is easily discouraged from reading out loud, I paid close attention to their delivery. Out of all of them, Terrance Hayes was my favorite because he frequently interacted with the crowd and he improvised, almost like a stand up comedian, before returning to his content. Hayes produced the most controversial poems and presented his poetry with a confidence that differed very much from Ocean Vuong, who carefully approached the podium and read with a gentle innocence. It was a perfect contrast, and their topics approached different things, yet still impacted the audience in many ways and deserved standing ovations. I heard of Vuong and Hayes previously before going to AWP, but watching and listening to the way they deliver their work on stage was something that reading a book cannot recreate.
     Exploring the book fair and interacting with many publishers and schools was my favorite part of AWP and it did not fail to reach my expectations. I did not explore every booth of the book fair because of its immense size, but I did obtain a wide range of novels, chapbooks, and books about craft. AWP taught me new things about the literary community across the United States, and how the writing life is continuing to transform as the country heads into new eras and as new technology rapidly influences American trends. I plan on attending the 2018 AWP Conference next year in Tampa Bay because I learned so much, and believe it is an informative event to attend, as well as an important place to show yourself as a member of the literary community.

Taylor Blum
     I had an amazing time at the AWP conference in D.C. I was not sure what to expect, and I was a bit apprehensive, but I am extremely glad that I went. I also had a great time with my fellow students, and I had a great time getting to know everyone better. The number of panels and readings set up was amazing, so it was easy to find something to go to during each time session.
     One that particularly stood out to me on the first day was the “Adaptation in Three Acts: Adventures in Adapting Material for Scripts” panel. It was not entirely what I thought it would be, but I was very interested in the projects that the speakers were working on. One speaker, David Shields, talked about his project I Think You’re Totally Wrong: A Quarrel, which he first created as a book, and then made into a movie with the help of James Franco. The book is essentially an argument between him and his friend over a wide variety of topics, with an overarching theme of the balance between art and life. Shields posed an interesting question about a person who sees themselves as an artist, and if they see themselves as such, how committed to life would they be if they have a need to commit themselves to art. Can there be a balance without neglecting one side? What I found particularly amazing about his story is that James Franco, who went to the same graduate school that Shields taught at, offered to make his book into a film. I find his whole project fascinating, because it is something that is not really done. To publish a book that is, as Shields put it, a “manuscript of discussions” and then get the chance to bring the discussions to film is unique. Another speaker talked about her project of taking a woman’s life story and adapting it into a book and how a playwright got wind of the story and took to adapting it for the stage. No speaker at this panel had the same story when it came to adaptation, so what I took from this is that there really are infinite ways to make a story accessible.
     Another panel that I enjoyed excessively, was “Coming of Age: The Blurry Line Between Adult and YA Literature.” This panel featured many established writers of Young Adult (YA) literature, such as Jason Reynolds, as they discussed the art of YA literature, their struggles throughout the community and industry, and the distinction between adult fiction. What I loved the most about this panel was the honesty of the speakers. They did not behave as if they were anything special because they were published authors, or that they were untouchable, but instead acted real and treated the audience as friends. While I have not read any of the speakers’ work, I feel this is probably reflected in their writing. They all brought up how 80% of YA books are bought by adults and that teenagers will read adult books if they are interested enough, because young people do not care about the YA or adult distinction. They also brought up that the genre of YA was created to sell more books, and that the decision to publish their stories is purely based on marketing techniques and what people in the publishing industry think will sell. It was a very honest discussion about publishing and marketing which I appreciated from an aspiring writer standpoint. They were also very honest about how it is harder for non-white writers to find a place in publishing and getting non-white stories told. Part of this issue comes from, racism, of course, but also the way certain publishing and marketing higher ups think that teens should be portrayed and the type of stories they think they can be in. Jason Reynolds spoke a lot on this, as he writes stories about black youth doing mundane things, but there is a stigma in the industry that that is not typical for black youth. Reynolds spoke a lot about how teens can be turned off stories if they feel they are not represented properly, which I also agree with. I know I do not want to read a story with a depiction of females that is constantly unrealistic (although, I have been faced with a lot of that in literature), and I can see how that can be a real problem for non-white people reading literature. This panel covered a lot of important topics, while also reaffirming my love for literature. That is what I loved the most about the conference, the sense of community between everyone there.

     The book fair was a great experience, and I really underestimated just how big it would be. I was slightly overwhelmed at first, but luckily, I had three days to walk through it. It felt almost empowering to see how many literary journals are actively engage in the community, and their effort to gather more submissions and readers. I really enjoyed visiting each booth, learning about their journals, and seeing their artistic endeavors.  Making connections with the people tabling was also fun, as I spoke to a lot of people who enjoyed the community and the friends that they have made over the years. I had never been in a situation where everyone around me all shared the same sentiments and love for similar things. It was amazing to be in a community where I could start a conversation with anyone and know that we would agree or share similar thoughts. Knowing that everyone around me loved literature and writing was something I was not used to, and really helped me ground myself in my love and dedication to the arts. Every day I felt motivated to dedicate myself to language and the writing craft. I feel inspired to hone my skills in writing and delve deeper into this community.

For more information about the AWP Conference click here.