Category Archives: Uncategorized

Why HBO’s Adaptation of “Watchmen” is an Attempt at Adapting the Unadaptable

There’s a reason Watchmen made Time Magazine’s list of the 100 greatest novels of all time. Without a doubt, fans of Alan Moore’s 1986 classic and comic book purists alike will likely despise HBO’s upcoming television adaptation of the famous, graphic novel, whether or not the work holds merit or receives critical acclaim as a TV show.

Simply, Alan Moore taught a generation of comic book authors and fans that the combination of sequential art and dialogue, the comic book, is a unique artform. Since its release, Watchmen has been dubbed the “unadaptable graphic novel.” Watchmen was designed to demonstrate the unique qualities of comic books, and demonstrates these elements in a way that is not just difficult, but impossible to be replicated in any other medium.

For instance, every page of Watchmen is structured on a nine-panel grid layout. This gives each page a central focus, the middle panel, and emphasizes key plot points or artistic renderings in the narrative flow. Issue five of the series, “Fearful Symmetry,” mirrors each page’s panels until converging in the center, which displays a character foiling his attempted assassination. Not a single page of the first 11 issues is a “splash page,” where a single panel makes up the entire page. Instead, the final issue opens with six absolutely breathtaking, haunting, splash pages depicting the destruction of Manhattan.

The emotional impact of these and many other moments is not possible to replicated in other media because Watchmen is not so much about the story being told, but how the story is being told. As Alan Moore said, “If we only see comics in relation to movies, then the best they’ll ever be are films that don’t move.”

I wish HBO the best on the Herculean task they have undertaken. Watchmen is not only the greatest comic book I have ever read, but is one of the greatest works of literature I have encountered. To keep with the original’s artistic integrity, HBO’s Watchmen should utilize the unique elements of television as a medium. Hopefully, the show can succeed on its own merits, if only it allows for more people to experience Moore’s masterpiece.

Creator Damon Lindelof and HBO are set to debut the series in 2019.

by Evan Davis

Submissions Closing October 1!

Just a reminder to all undergraduate students, our submission period for Issue 21 will be closing October 1, 2018.

We accept poetry, fiction, and creative nonfiction from all students currently enrolled in an undergraduate program. Our goal is to find good, highly imaginative writing about contemporary life as you see it!

We do not accept previously published work, but we do accept simultaneous submissions. We also pay twenty-five dollars upon publication.

Get your submissions in to The Blue Route before it’s too late!

For more information, please check out our submission guidelines.

Social Media For Readers

Hi everyone! As we all know, social media plays a big role in a lot of people’s everyday
lifestyles. If you’re anything like me, you go on social media every day! Recently I discovered that there were a lot of social media-based reading opportunities. These are just a couple of fun pages that I have found and enjoy keeping up with in my feeds! If you have some free time, be sure to check them out!

New York Public Library
Instagram: @nypl
Twitter: @nypl
Facebook: NYPL The New York Public Library
These guys post “insta-novels” on their story and in the highlights of their page! It is a fun way to read a quick, classic tale on your social media! Their blog also has great content and insight from librarians, curators, and staff posted daily!

Belletrist
Instagram: @belletrist
Twitter: @belletristbooks
Facebook: Belletrist
This is an online book club! I stumbled upon this page one time and I love it. Even if I’m not able to keep up with what books they are reading, it is awesome to see the titles that are picked and add them to my list of “Must-Reads.” Also, if you go on their website you can sign up to get newsletters from them! They send out book recommendations, author interviews and even quotes of the week!

Lifewire also has a list of 6 Great Book Social Networks and Josh Sterns from Medium compiled 43 Great Literary and Library Twitter Accounts if you are still in need of some awesome literary content!

Do you follow any social media accounts that share literature or art? Let us know so we can check them out too!

Also, don’t forget to check us out!
Instagram: @wutheblueroute
Twitter: @wutheblueroute
Facebook: The Blue Route
Tumblr: theblueroute

See you online!
by Allison DeHaas

Adam Driver Brings Arts to the Military: A Lesson in Language and Self-Expression

In 2015, VICE News followed Adam Driver and a group of fellow actors on a trip to the Middle East. The mission: offering theater to surrounding military bases through an organization called Arts in the Armed Forces.

Driver, a Julliard graduate who has since starred in HBO’s critically acclaimed series “Girls” as well as such films as Star Wars: The Last Jedi, The BlackKklansman, Logan Lucky, Silence, and This is Where I Leave You among many others, began as a United States Marine with 1/1 Weapons Company. Throughout his career, Driver has talked openly about his time in the marines as well as the transition from the military to acting, from soldier to civilian, and the similarities between the two seemingly dissimilar paths.

“In acting school, I was really, for the first time, discovering playwrights and characters and plays that had nothing to do with the military, but were somehow describing my military experience in a way that before, to me, was indescribable,” Driver says in a 2016 TED Talk.

In 2008, Driver founded Arts in the Armed Forces, a non-profit organization dedicated to bringing “high-quality arts programming to active duty service members, veterans, military support staff and their families around the world free of charge.” Arts in the Armed Forces also aims to bridge the divides between “the world of the arts and the world of practical action.”

“We decided to introduce this project where we introduce the military to the theater community and vice versa,” Driver says. “We’re hoping to show that language is a powerful tool, that self-expression is a powerful tool.”

What Driver and Arts in the Armed Forces demonstrates is the inherent need for artistic forms to establish connection or serve as an outlet to convey emotions, whether it be through painting, theater, music, or writing. This demonstrates the inclusivity that the arts has across all genders, races, sexualities, occupations. There is no limit to who is capable of self-expression. There is no limit to how language can impact another human being.

For Driver, the arts and the theater gave him a place and a way to funnel his feelings and his emotions into a constructive, creative, expressive outlet. The arts provided Driver with an expressive language which he, in turn, has encouraged through performances organized by Arts in the Armed Forces. As Driver explains, the arts and his organization offers audiences with a “new means of self-expression,” a vocabulary, and relatable, human characters to carry with them.

Though Arts in the Armed Forces centers on performance art, it is important to remember the artistic language is present in all forms so long as the form allows a person an outlet to expel what is inside themselves. As writers, we express through the written word. It is our escape, our voice, our platform, and our outlet.

Driver believes, “No time in anyone’s life is that bad you can’t place a value on the arts.”

The video below explores Arts in the Armed Forces (joined by Driver, Joanne Tucker, Natasha Lyonne, Eric Bogosian, Peter Scolari, Sasheer Zamata, and many more) experience in the Middle East delivering on-base entertainment. Driver also delivers an emotionally charged monologue from the 1976 play “Curse of the Starving Class” by Sam Shephard.

by Carlie Sisco

Our Submission Period Is Open!

Starting August 1, 2018 The Blue Route will be reading submissions for Issue #21! If you are a current undergraduate student, you are eligible to submit prose (1-3 pieces of fiction or creative nonfiction totaling no more than 3000 words) or poetry (up to 3 poems).

We want good, highly imaginative writing about contemporary life as you see it!

We do not accept previously published work, but we do accept simultaneous submissions. However, please notify us immediately if your work is accepted elsewhereOur response time is about three months.

For more information, check out our submission guidelines.

If you’d like some general advice on submitting work, click here!

58 Years of ‘To Kill a Mockingbird’

Today marks 58 years since the publication of Harper Lee’s 1960 novel To Kill a Mockingbird.

58 years since the world was introduced to Scout, Jem, and Atticus Finch. 58 years since we walked through the streets of Maycomb, Alabama for the first time. 58 years since we learned “You never really know a person until you consider things from his point of view…until you climb into his skin and walk around in it.”

To Kill a Mockingbird, a “magnificent, powerful novel of the people of a quiet southern town—rocked by a crisis of conscience,” has maintained incredible relevancy in its 58 years, touching the hearts and minds of its audience.

Gregory Peck’s portrayal of Atticus Finch in the 1962 film adaptation landed Atticus Finch as #1 on the American Film Institue’s “100 Greatest Heroes & Villians” list, recognizing characters that “have a made a mark on American society in matters of style and substance” as well as continue “to inspire contemporary artists and audiences.”

In 2015, Harper Lee released Go Set a Watchman, a novel set after the events of To Kill a Mockingbird in which Scout returns to Maycomb, Alabama. Aompanion to the American classic, Go Set a Watchman adds “depth, contex, and new meaning” to the story we’ve grown to love.

In April, the Monroe County Heritage Museum hosted its production of To Kill a Mockingbird for the twenty-ninth year. The museum, located in Lee’s hometown of Monroeville, Alabama, held its first play of the timeless novel in 1991 as a fundraiser. Since then, the play has attracted a wide audience, captivating students, community members, and even travelers eager for the experience.

On December 13, New York will see opening night of Aaron Sorkin’s Broadway adaptation of To Kill a Mockingbird starring Jeff Daniels as Atticus Finch.

For whatever reason, this book, this story, and Harper Lee as an author has resonated with me throughout the years. I find myself bringing this book and these themes into projects or conversation whenever possible. Whether it be a comparison of Frankenstein’s monster to Boo Radley a tribute to the late Harper Lee or an analysis of Annette Lemieux’s Mise en Scene exhibition featuring contemporary art pieces from the filming of the 1962 film adaptation of To Kill a Mockingbird such as Spin and Area of Refuge, To Kill a Mockingbird has played a critical role in my academic career and personal self.

Two years ago, I spent a great deal of time sifting through my grandfather’s book collection as he prepared to move. Among the collection of classic titles was a tiny, paperback copy of To Kill a Mockingbird, a title I’ve been longing to add to my own collection since reading the novel as a sophomore in high school. My copy is slightly tattered with yellowing pages and that old book smell, but I wouldn’t have it any other way.

Written by Carlie Sisco

 

 

Issue 20 is live!

Our special 10th anniversary issue features undergraduate writers from Central Michigan, Franklin & Marshall, John Carroll, Swarthmore, UNC Wilmington, Ursinus, and Vassar. Plus an interview with author Catherine Zobal Dent and a 10-year retrospective: former editors pick favorite pieces from past issues.

Thanks to all the writers, artists, and staff members who helped to make this issue a great one. Also, a special thank you to all of the editors, past and present, that contributed to this special edition. This issue means a great deal to all of us here at The Blue Route. We hope you enjoy reading!